The Marx Brothers'
second film is an
the sum of the parts being greater than the whole. The film
suffers a bit from the technical limitations of early talkies and it
has an unbearably plodding final 20 minutes, but ANIMAL CRACKERS
nevertheless overflows with classic and hilarious scenes. The
brothers (save for Harpo) seemed a bit tentative in their first screen
COCOANUTS) the year before, but here they fully live up to
their legend as the masters of comic anarchy. Groucho
what may be his best screen performance, with his character of Captain
Spaulding affording him the widest range for his comic gifts.
Harpo is at his most manic, nothing but pure instinct and impulse, and
Chico proves that obtuse belligerence can be charming. Even
gets a few laughs. ½ - JL
Heerman must have taken a
long, hard look at THE COCOANUTS (1929) before tackling the task of
directing the Marx Brothers second picture, ANIMAL CRACKERS (1930),
because he managed to avoid almost every mistake that Robert Florey and
Joseph Santley made on the first film. Florey and Santley
to make a faithful adaptation of a Broadway musical comedy, and to that
extent they succeeded. Victor Herman, on the other hand, decided that
what audiences wanted to see in a Marx Brothers picture was The Marx
Brothers, and so that is what he gave them. He cut out
of the music except the indispensable "Hooray for Captain Spaulding"
production and one love song. The few plot scenes he kept in, to move
along, are brief, and usually have one or two Marx Brothers popping in
at the end.
ANIMAL CRACKERS may not be the faithful adaptation of a Broadway hit that THE COCOANUTS was, but in allowing the Marx Brothers to dominate the proceedings this time around, he made a film that stands up much better, a vital if somewhat static and stage bound, classic.
Once again written by George Kaufman and Morrie Ryskind, ANIMAL CRACKERS established a great Marx Brothers tradition - the buildup to Groucho's entrance, and the subsequent discovery, by the audience if not by his co-stars, that he is a complete fraud. Here, as Captain Spaulding, African Explorer, he arrives in a sedan chair carried by four natives, and immediately argues about the fare. "From Africa to here, a dollar eighty-five? I told you not to go through Australia, you know it's all ripped up!" Later, during his lecture about his days in Africa, he unleashes a deathless joke: "One morning, I shot an elephant in my pajamas. How he got in my pajamas, I don't know." He makes no pretense at being anything but a fraud and a liar, and his rich and clueless host (the indomitable Margaret Dumont) can't see through him, or his greasepaint mustache. Much of Groucho's charm (if you can call it that) is that, at his best, he lays his fraudulence on the table for everyone to see, and people are so shocked at being fooled, they simply refuse to accept it.
Harpo and Chico contribute some great scenes, including one in which they play bridge with Dumont and Margaret Irving. Chico has much of the same qualities as Groucho. "How do you want to play? Honest?", he asks Dumont before the game begins. In another scene, when Mrs. Rittenhouse's daughter convinces Chico that a sneaky favor she wants him to do is not really stealing, he leaves in a huff. He'll only do a favor it means breaking the law.
Even the usually overlooked Zeppo has one great scene in ANIMAL CRACKERS. As Groucho dictates a letter to him, Zeppo asks him absurd questions such as "How do you spell 'semi-colon?". Of course, Groucho has an answer: "Make it a comma." One of Zeppo's true shining moments comes when Groucho asks him to read the letter back. "You said a lot of things here that I didn't think were important," Zep says to a stunned Groucho, "so I just omitted them."
The film does run out of steam before it actually ends. It might be strange to say, but there may be too many comedy routines that pile up at the end of the film, all revolving around a plot that not even Kaufman and Ryskind could take seriously. However, that flaw aside , ANIMAL CRACKERS remains one of the Marx Brothers funniest films. - JB
(Review adapted from a previously published article - JB)
QUOTE AND MAKE IT A
"Quotes, unquotes and quotes."
"That's three quotes?"
"Add another quote and make it a gallon."
Notes by John V. "Jay" Brennan
Groucho sings Kalmar and Ruby's "Hello, I Must Be Going", "The Captain is a Very Moral Man" and "Hooray for Captain Spaulding" with Zeppo and the cast.
A BOW FOR HARPO AND CHICO
Harpo's solo: "Why Am I So Romantic?" (Bert Kalmar, lyrics; Harry Ruby, music)
Chico's solo: "I'm Daffy Over You" (Chico Marx, Sol Violinski) / "Silver Threads Among the Gold" (H. P. Danks, music; Eben E. Rexford, lyrics)
Yes, that song that drives Groucho to offer Chico hush money was a Chico Marx original. It became a Marx motif, showing up as the theme tune of MONKEY BUSINESS, and popping up again in the HORSE FEATHERS soundtrack. It's a pretty little tune, but what makes it funny is the strident way Chico insists on playing it, and his reprisal of it whenever he can't think of anything else to play. And, of course, Groucho's numerous wisecracks hurled Chico's way ("If you get near a song, play it.") In Harpo's hands, of course, it becomes a thing of beauty in MONKEY BUSINESS, as he finds all kinds of harmonies and chords Chico probably couldn't even name (and to be honest, Harpo probably couldn't name them either).
"Silver Threads Among The Gold" was not written by Victor Herbert, despite Chico's insistence that on playing one of his own compositions "by Victor Herbert". As friend and author Matthew Coniam points out in THE ANNOTATED MARX BROTHERS, it is likely Chico played "Gypsy Love Song" on stage, which was a Herbert composition. However, in the film, the introductory joke is kept, but Chico opts for this song instead, by H. P. Danks and Eben E. Rexford. My thinking is that the switch in the movie occurred because Chico had already played "Gypsy Love Song" in the the film version of THE COCOANUTS. The switch makes it even funnier - Chico announces he will play a song he wrote, by Victor Herbert, and proceeds to play a song by neither he nor Herbert. Oh, that Leonard!
The above picture of Chico is an example of one of the things I love
to see in Marx Brothers movies: the cast sitting back and enjoying a
Chico or Harpo musical interlude. Other examples include the
musicians in MONKEY BUSINESS who seem to be having a great time
watching Harpo pull his gags while playing "O Sole Mio", and the ladies
in the background in THE BIG STORE, one of
whom turns around to hide her laughter during the Chico-Harpo piano
duet. I prefer these natural occurences over the staged ones,
such as the old immigrant lady whom we see through the strings of
Harpo's harp in A NIGHT AT THE OPERA.
Before the scene turns into an impromptu game of football, Harpo
to be noodling around with "Some Of These Days" on the piano. If
so (and I could be wrong), "Some Of These Days" was written by Shelton
Brooks in 1910, and was covered by Sophie Tucker in 1911 and rerecorded
by her later, making it something of a personal theme song. Bing
Crosby also recorded a great jazzy version of it in 1931.
What Chico plays before "The Anvil Chorus" is anybody's guess.
"The Anvil Chorus" comes from the Guiseppe Verdi opera Il Trovatore,
which is the opera featured in A NIGHT AT THE OPERA.
TIGERS AND LEFT-HANDED
ANIMAL CRACKERS opened at the Forty-Fourth Street Theater in NYC on October 23rd, 1928. It was the third and last Broadway show the Marx Brothers starred in, following I'LL SAY SHE IS (never filmed) and THE COCOANUTS.
The movie version of ANIMAL CRACKERS was filmed at Paramount's studios in Astoria, Long Island, New York. All subsequent Marx Brothers films were produced in Hollywood.
Robert Greig, who plays Hives the Butler, would also appear in the Brothers' HORSE FEATHERS as a biology professor, and was later a standing member of director Preston Sturges' stock company.
The Bert Kalmar - Harry Ruby song "Hooray for Captain Spaulding" became Groucho's theme song and was used in his TV quiz show You Bet Your Life.